Tuesday, December 4, 2012

Mitch Trupia "In Your Head"


Mitchell Trupia
Mitch Tru: In Your Head
Reviewed by: Rob Acocella

Mitch Trupia is a solo artist with some stories to tell. The first thing I noticed with this album is the very strong Classic Rock influence. There are flavors of The Who, The Rolling Stones, Bruce Springsteen, and even some acoustic KISS evident on In Your Head.  When I saw that the first track was titled “No One Like You” I thought I was in for a Scorpions cover, but luckily it was an original tune. Mitch has a pretty good following online for a solo independent artist, and the track “Can’t Change The World” is not only my personal favorite from the album, but it also seems to be the one that gets the most attention from his online fans.  Other standout tracks include “Straight Jacket,” “13 Sundays,” and the bonus track “I Would Do Anything.” Every song on here has it’s own unique groove, but they also all feel very connected by Mitch’s overall style and vibe. This is a quality album by a talented songwriter that definitely is deserving of your attention. Check out his Facebook page for more info and some links to his music: http://www.facebook.com/MitchellTrupia - Also, make sure to hit up CDBaby.com to pick up the album!

Rating: 4/5



Tuesday, November 27, 2012

Mike Grosshandler, Blue Skies Black




Mike Grosshandler
Blue Skies Black
Reviewed by: Rob Acocella

Blue Skies Black is the latest solo album from Mike Grosshandler (The Velmas, Above The Flood). We’ve been following Mike’s musical career since we started Paragon. He was not only a featured artist many times, but also a very good friend in the years we’ve known him. Blue Skies Black is different from Mike’s previous solo offerings, as it’s the first to incorporate electric guitars as well as many other layers of instruments not previously heard on his acoustic solo albums. The album leads off the with the title track, which I also feel is the strongest track on here.  “Status Quo” is the track that follows and every time I hear it I can’t help but think of Joe Elliot from Def Leppard’s vocal performance on “Two Steps Behind,” especially with the similar song endings and all. I also hear a little bit of Green Day on the extremely infectious song “Everything’s Fine.” Be careful with this track, it’ll be stuck in your head for days.

Similarities and influences aside, Blue Skies Black is a really strong recording from Mike, which I know took a long time to put together. It was well worth the wait and there are lots of varied styles and sounds on here. All while being true to the feeling we’re used to from Mike.  A few more stand-out tracks are “Florida”, “Too Many Reasons”, and “Nothing Much.” I know this isn’t the last we’ll hear from Mike on the solo front, and I anxiously await new music from him, as he never disappoints. Now if only he could get himself down to our neck of the woods for a show…

Rating: 5/5

Tuesday, April 10, 2012

Halestorm, "The Strange Case Of..."




Halestorm
The Strange Case Of...
Reviewed by Rob Acocella
Rating: 4/5
      Until now I've never had my hands on a full album by Halestorm. I have to be honest here and just say that before now I hadn't been all that interested in them. I've seen them live a handful of times as an opening act or direct support to a few great bands, and I did enjoy their live show, but I never had the motivation to buy their music. That changed when I heard a sample of their lead single "Love Bites (So Do I)" and immediately realized what I had been missing out on.
      Overall, the songwriting on A Strange Case Of... is really good, with a few exceptions where I feel they kind of fell short lyrically. Still, for a band I'm technically new to, the album is impressive. First thing's first: this is fun Hard Rock, so if you're looking to find hidden messages or the Fibonacci Sequence in the songs, you've got the wrong band. However, if you're looking for something to crank on a Friday night on your way to a concert or party, this is the album to grab.
      Lzzy and company mix equal amounts of old school female fronted Rock with some more modern influences. "I Miss The Misery" sounds so much like a Three Days Grace song, I was half expecting Adam Gontier to be doing some guest vocals, while "Freak Like Me" and "Daughters of Darkness" are perfect crowd-rallying songs. My only complaints are right in the middle of the album where the songs go a softer route. In my opinion it derailed the flow of the listening experience, and I have to be the bad guy here and just say that I don't really feel Lzzy's softer, more "girly" vocals are all that good, on top of the lyrics being very weak and cliche at times.
      Despite my minor complaints, I still find myself reaching for this album when I want to listen to some fun and aggressive tunes. I do give the band credit for including some softer tunes despite what some people may think of them, as it shows a maturity and willingness to take risks that so many newer bands these days don't have. Aside from the tracks I already mentioned, some other favorites on here are "Mz. Hyde," "You Call Me A Bitch Like It's A Bad Thing," and "Here's To Us."

Saturday, March 3, 2012

Mindless Self Indulgence: Tighter




Mindless Self Indulgence
Tighter
Reviewed by Tara Salamone
Rating: 5/5
     I've been listening to Mindless Self Indulgence for eight years so, like any long-time fan, I have been coveting their 1999 album Tight. I would see it pop up on places like Amazon.com and Ebay.com but it's usually way too expensive, sometimes up to hundreds of dollars. When Tighter came out, my prayers were answered. It comes together with 15 original re-mastered tracks plus 12 previously unreleased tracks.
     The original tracks did not require re-mastering, considering they're not that old anyhow and they were mostly recorded in mono in the first place. It wasn't needed but I welcome the added bass and they sound slightly more polished, but not by a lot. There is definitely an eclectic mix of different versions of classics like "Bring the Pain," including demos, live tracks, etc. The unreleased tracks took me back to their original raw sound of Electronic/Punk but I was also surprised to hear songs such as "Free As A Birdie," which shows off Jimmy Urine alone with an acoustic guitar. Don't get me wrong, I am not surprised by his total lack of holding a tune, but it was way more organic than what I am used to hearing from them. I like it all the same, though, as their lyrics never take themselves too seriously. MSI's music is meant to make you laugh, gasp, and dance. Perhaps all at the same time.
     Overall, I would recommend Tighter to old time fans. All bands evolve and change but people sometimes have a preference for a certain sound. Some tracks could be considered fillers, such as "Agents," but, again, if you've been listening to them since Tight or at least Frankenstein Girls Seem Strangely Sexy, it's pretty interesting to hear about the beginning of the band. My personal favorites are "Cake" and "I Hate Everyone," given that they stick to the usual formula of their older stuff without sounding the same as everything else. I would have to give the album a 5/5 for keeping their fans from the beginning in mind as well as providing a good range of 27 tracks.

Saturday, December 31, 2011

Jason Charles Miller, "Uncountry"

Jason Charles Miller
Uncountry
Reviewed by Rob Acocella
Rating: 5/5




When you think of Jason Miller from Godhead, you probably don't think cowboy hats and Civil War memorabilia. However, as he explains in the album title track "Uncountry" there ain't nothin' uncountry about him. 

I'm not exactly the biggest fan of Country music, so the few bands and albums I do like have to really have that something special to make them stand out to me. Jason's version of Country isn't your Garth Brooks or Honkey-Tink this-or-that. Coming from a much heavier style of music, you are guaranteed it's going to have an edge, and an edge it has. I would liken Uncountry to Zakk Wylde's Pride and Glory. Even though Zakk was known as the monstrous young guitar player for Ozzy Osbourne, most fans were pleasantly surprised to hear what his softer, more, um, twangy song writing was like. The same goes for Jason Miller. You can hear shades of Pride and Glory on Uncountry, as well as moments that really reminded me of Vicious Cycle, which was my personal favorite Lynyrd Skynyrd album. You can hear Jason's signature Goth-Industrial vocals peering through at times, which is reassuring when the album goes a little deeper into the Country vibe.

There are a lot of stand out tracks, and my personal favorites are "Uncountry," "The River," "You Must Have Loved Me A Lot" and the stickiest song on the album, "The Devil." I dare you to listen to "The Devil" and not walk around singing or humming it to yourself all day. Hell, I haven't listened to the album in 2 days and this morning I woke up with it in my head out of nowhere. 

Megadeth, "TH1RT3EN"

Megadeth
TH1RT3EN
Reviewed by Rob Acocella
Rating: 5/5




Megadeth are back, and this time it's BIG. Not only is this their thirteenth studio album, but it's also the return of David Ellefson to the band. David has always been such a huge component of Megadeth's sound that the albums without him really fell slightly flat for me. I may be a bit biased, being a a bass player myself, but without David it just wasn't complete.

That said, it's not just enough to have the correct lineup, you have to also have great songs and there is no shortage of them on this album. "Sudden Death" leads it off, and is a familiar track for anyone who has been keeping up with the world of Megadeth, as it was included in a Guitar Hero installment, as well as getting released as a single back in 2010, and is the first studio recording of Ellefson with the band since 2002. It's not the only song that will sound familiar to die-hard fans of the band. "Black Swan", "Millennium of the Blind", and "New World Order" are also a part of the Megadeth legacy and go back different spans of time in each instance.

"Public Enemy No. 1" is one of my favorite tracks right alongside "New World Order" "Deadly Nightshade" and "Fast Lane". Personally, with all the fast, crushing riffs, and especially the reborn older material that has finally received a proper release to the public, this is one of the most perfect Megadeth albums to date. I'm from the school of people that thought Rust In Peace was their masterpiece, and with TH1RT3EN being released right on the heels of the anniversary of Rust, it's only fitting for it to be such a powerhouse of  a record.

Steve Bello Band, "Go Berzerk"

Steve Bello Band
Go Berzerk!
Reviewed by Rob Acocella
Rating: 5/5







Ibanez-endorsed instrumental guitarist Steve Bello is back with his fifth and most anticipated studio album yet, titled Go Berzerk! (yes, the "z" is intentional)

The album starts off with the very popular lead single "Surfing To Venus" which had a video to accompany it while it was still in demo stages. You can see the video below, or by clicking here.
Following "Surfing" is a a track called "To Be Human Again" which gets you tapping your toes and snapping your fingers to the groovy little funk-infused intro before jumping right into a chunky lead riff that will take most by complete surprise. The title track is one of the strongest on here which not only showcases Steve's incredible lead abilities but bass player Joe Demott really shines through with his intricate bass fills.

On "Sometimes Hidden" we get to hear the softer side of Steve Bello with this warm acoustic track. It goes without saying that just about every instrumental guitarist includes an acoustic track here or there, and Steve is no exception, but this track just has such a nice flow and melody that it avoids feeling cliché. "Throwing Away My Skin" is at the top of my list of favorites on this album with it's Slayer-like groove. The guitar really takes on an almost vocal personality on this track. On "Chomp" we again hear Joe's incredible bass abilities. It's gotta be one of the funkiest Funk-Metal tracks I've ever heard.

I can't give Go Berzerk! album any less than a 5/5. Steve's been working at this for about as long as we've been working at Paragon and every album is better than the last. This is truly a work of art, incorporating so many different flavors without ever sounding out-of-place. It's availabe on CDBaby.com or iTunes, and you can get a physical copy if you find him on Facebook and order direct.